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Art history in the pub

— September 2011

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18th-century French sword. Photo Source: V&A Collections

Monday 26th September 2011, 7.30pm- Dr Hannah Williams (Oxford) on The Violent Suicide of François Lemoyne: An 18th-Century Art History Mystery

Paris, 4 June 1737: the celebrated artist François Lemoyne commits suicide. It started as an ordinary day. Lemoyne had been to his studio to give a lesson to his students and taken a meal with his cousin. But then events take a macabre turn. Lemoyne retires to his bedroom, carefully locks the door, takes up his sword, and proceeds to inflict upon his body multiple fatal stab wounds, before dropping to the floor and dying in a pool of blood…

Lemoyne’s death shocked and horrified his family and colleagues, and it has since presented something of a mystery for art historians. Why should this incredibly successful artist – first painter to Louis XV – have wanted to kill himself only months after completing what is now considered his magnum opus: the ceiling of the Apotheosis of Hercules at the Château de Versailles? Was it over money? Professional jealousy? A madness induced by lack of recognition? Could it have been murder? Or if it really was suicide, then how did Lemoyne complete his gruesome task?

With most of the clues now lost deep in the past, some art-historical sleuthing is necessary in order to retrieve the traces. This evening, Dr Hannah Williams will attempt to solve these perplexing mysteries through a forensic and art-historical analysis of the object responsible: Lemoyne’s sword. Using police reports, autopsies, and witness statements, she will piece together the final hours of Lemoyne’s life and offer a material reconstruction of the now lost fatal weapon, exploring what Lemoyne’s sword looked like, what he did with it, and what it meant to him. Drawn from a larger study investigating what artists’ personal possessions reveal about their everyday lives, this case explores the limits and possibilities of object-biography, and presents an exercise in recovering the material history of an object when that object no longer materially exists.

Can art history solve the crime? Come along and find out!


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